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Wednesday 25 December 2013

ADANTAGES/ BENEFITS OF LANDSCAPE DESIGN

Landscape Design
There are two types of gardeners. Gardeners generally buy plants for the love of that particular plant. Buy it, bring it home and then find a place to plant it. Gardeners will sometimes move that very plant throughout their garden many times. The designers, on the other hand, take an overall observation of the property and see it for its potential. They work within a budget to provide you with an overall outdoor living space which may not only include the plants and trees in the gardens but also water features, pathways, seating areas, decks, patios, arbours, pergolas, garden art, furniture and lighting.
ExperTrees believes that a well designed garden has numerous purposefully placed focal points, being objects in the garden that attract your eye to them when you first look at the garden. The object may be a tree, a rock, a water feature, an arbour, a pathway, any element that was purposefully placed there to catch your attention. There is an old gardening saying - “you don’t look at a garden, you look through the garden.” What this saying means to us, is that a well designed garden should be three dimensional, allowing your eye to travel through the garden, making sure you see every plant in its place. A well designed garden should create a composition, where an individual plant has its own beauty but also where each plant is accounted for and has a purpose that contributes to the overall composition of the garden.  A designer will select plants not only for its own design value, but also for the value it adds as a complimentary plant to the plants around it. Remember, symmetry does not always equated to balance.
Factors in a Well Designed Garden
Balance and Harmony are the key ingredient to having a unique and creative and visually appealing flow throughout your garden design. A gardener may sometimes have difficulty creating balance in a garden, where as a good designer will design the garden with balance and harmony as the goal. Every plant in the garden will be placed to accent another, as they are generally planted at the same time, or in stages with the overall plan in mind. The gardener who is buying the individual plant for its beauty often has great difficulty tying the composition together using the individual plants they have purchased.  The individual plant that was beautiful at the time of planting may become hidden and lost as the gardener continues to add individual plants to the garden.
Balance and Harmony are created through the proper use of , and attention to:
  • Colour is very important in garden design. It is one of the key element in having your eye travel though the design. It is a proven fact that certain colours provoke certain emotions in people. The idea is to have a balance of as many different colours as possible, to provoke a wide range of emotions to people who are enjoying the peace and tranquility in the garden they have created. By using different arrays of colour, you can accomplish numerous effects. Blending of colours on certain plants can make the plant seem more vibrant in colour, shape and texture. Blending of colours, along with proper placement, can have the effect of bringing the plant closer, or sometimes farther away, depending on the design intent, which can also make the garden and property seem larger than it is.
  • Size (of the actual garden and the individual plants) is another key element to creating a well designed garden. This is closely tied to placement. The size of the garden must be proportional to the size of the property, be able to support the plant material in its maturity, and should meet the needs and desires of the owner as well as considering the maintenance required to upkeep the garden. The size of the individual plants can create various levels in your garden, which contributes to a three dimensional design, moving your eye through the garden.
  • Shape (of the garden as well as the individual plants) plays a critical role in the success or failure to create a visually appealing design. The shape of the garden should control the movement of the eye and should be designed with the objective being depth and flow (as related to dimension and balance). The individual plants should be selected for their shape and how it creates interest and variety in the overall atmosphere of the garden. Shape can add uniformity, elegance, balance and harmony.
  • Variety of plant material should be one of many objectives when designing a beautiful garden. A variety of plants, selected for their colours, textures, sizes and shapes, should unify the overall garden and add interest throughout the year. In a well designed garden, variety will create movement and contribute to the visual balance.
  • Contrast in a well designed garden will create interest and variety. Contrasting plants (ie. evergreens, trees, flowering shrubs, perennials, annuals and grasses) should be selected for their different movement, colour, size, shape and texture. These contrasting elements will stimulate the senses and create a flow to the garden. Contrast can also be created by using a variety of ‘hard goods’ (water features, arbours, pergolas, stones and rocks, garden decor and art) amongst the plants.
  • Placement of the plants, as related to dimension, can be difficult for the gardener to accurately determine. This often leads to plants being moved again and again in the search for harmony. A plant, when planted in its proper place, will blend in with the other plants around it and create a balance to the overall design. Placement is critical to the composition as a whole and should be carefully considered. A designer will know inherently where a plant should go, as it was purposefully selected for that one spot, based on the plants characteristics and its ability to enhance the creative design.
  • Focal Points, whether plant material or hard good, are important elements that are purposefully placed in the landscape design to create immediate interest. The object may be a tree, a rock, a water feature, an arbour, a pathway, any element that was purposefully placed there to catch your attention. ExperTrees believes that a well designed garden should have many focal points, to move your eye around and through the garden.
  • The four seasons that we experience in Southern Ontario should be considered when designing a landscape. Ideally, you want interest and variety all year around. For example, an arbour, which attracts birds, can be a beautiful thing in the winter, as can an evergreen plant. Of course, the spring and summer are easy to plan for, but a designer will think of winter and fall as an opportunity to show off the gardens versatility. Colours and textures are key elements when designing a year-round spectacular garden. 
  • Practicality, as related to the property owners expectations and needs, should always be a first consideration when designing a landscape, as the owner will generally be the one enjoying the gardens, and also the one maintaining it. If one of the owners objectives is to hide an unsightly shed or utility pole or deal with a privacy issue, then arrangement must be made in the landscape design to deal with that.
A big factor (which should always be the starting point of a landscape design) is the BUDGET. Landscaping can be very costly, mistakes can cost you even more. A landscape designer can save you money down the road, as they will not make the mistakes that could be avoided. Not only is the design thought out for its composition and creation of harmony and balance, a designer will use his horticultural knowledge to create a garden that will thrive for years to come.  There are many things to think about and pay attention to that will contribute to the success of a landscape and a professional landscape designer will be able to address all of the factors.
ExperTrees’ professional designers will guide you through the steps to a finished landscape design.  It is wise to meet with a landscape designer, prior to starting a landscape design, who will be able to determine the balance between your budget and your expectations, desires and needs.
A good designer will address many topics during an initial consultation.
  • budget and size of design area
  • soil conditions
  • available light conditions (sun/shade)
  • water requirements and drainage issue
  • privacy issues
  • maintenance expectations
  • irrigation
  • existing plant material
  • owner wants (vegetable patch, cut flowers, fruit trees, entertainment areas, BBQ area, hide visual obstructions, etc...)
  • owner needs (play area for children or pets)
  • Wind Conditions
  • Hardiness and Zone
  • Access
  • Prevalent insects and diseases
  • Installation of garden lighting
  • Style and personal design tastes of owner (formal vs. informal)
                       
The Benefits of Landscape Design
Besides being the envy of your neighbours, the benefits of landscape design are as varied as the reason for doing it.  The primary reason for landscaping your property is the improved quality of life, not only to the owner, but to all people who observe it. Quality of life is measured very personally, whether by the increased privacy that is created or by the emotions (peace and tranquility) the gardens provoke. Landscaping your property is also a environmentally responsible way to protect the future and provide a beautiful environment for future generations. The responsibility of environment protection and beautification is thereby passed down to future generations as well to enjoy and embrace.
It shouldn’t be a primary reason for landscaping your property, but a secondary benefit is the value it will add to your property and the speed in which a beautiful garden will sell your property when you decide to move. Curb appeal is the common term that the real estate industry uses for landscaping.

Thursday 12 December 2013

TOWN PLANNERS JOB DESCRIPTION

Planners are involved in making long and short-term decisions about the management and development of cities, towns, villages and the countryside.
They aim to balance the conflicting demands of:
  • housing;
  • industrial development;
  • agriculture;
  • recreation;
  • transport;
  • and the environment, in order to allow appropriate development to take place.
Planners are at the heart of regeneration within towns and cities, taking into account the often competing views of businesses and local communities. In rural areas, they must ensure that development is sustainable and that the right balance of development is achieved to preserve the countryside.
The work of planners also makes a positive contribution towards tackling the effects of climate change.

Typical work activities

Planning is a broad area of work that requires many different skills. Some planners specialise in a particular area of work, such as protecting the historical environment or urban design, while others work across a variety of areas.
In general, key planning activities include:
  • developing creative and original planning solutions to satisfy all parties;
  • consulting with stakeholders and other interested parties and negotiating with developers and other professionals, such as surveyors and architects;
  • assessing planning applications and monitoring outcomes as necessary;
  • researching and designing planning policies to guide development;
  • researching and analysing data to help inform strategic developments, such as increases in affordable housing provision;
  • designing layouts and drafting design statements;
  • using information technology systems such as CAD (computer-aided design) or GIS (geographical information systems);
  • attending and presenting at planning boards and appeals and at public inquiries;
  • keeping up to date with legislation associated with land use;
  • promoting environmental education and awareness;
  • helping disadvantaged groups express their opinions about planning issues and proposals, and visiting sites to assess the effects of proposals on people or the environment;
  • scheduling available resources to meet planning targets;
  • writing reports, often of a complex nature, which make recommendations or explain detailed regulations. These reports may be for a range of groups, from borough councils to regional assemblies, or members of the public.

Thursday 5 December 2013

BOFA KILIFI PROJECT

COUNTRY PROJECT:         KENYA
SPECIFIC LOCALITY:        KILIFI, MOMBASA
CLIENT:                                 MR.GEORGE
PROJECT SPECIFIC:          LANDSCAPING, PLANS, CONSULTING
SERVICE PROVIDER:        GOLDENSCAPE 
COMMENCED DATE:         23 AUGUST 2013
COMPLETION DATE:        11 DEC 2013

PROJECT DESCRIPTION
Goldenscape was contracted by Mr George to come up with the floor plans, landscape masterplans, the house model itself and also consultation before the commencement of the project.
Our company was proud to be awarded the contract from inception to the design stage.

(The photos are courtesy of Goldenscape, they maybe subject to copyright)





Monday 18 November 2013

HARDSCAPING ( HARD LANDSCAPING) AND SOFTSCAPING

Hardscaping

Creating a unique look for your yard means more than just cut grass, trimmed shrubbery and pretty flowers. Hardscaping, the creation of any man-made structures on your lawn, is just as crucial for overall appearance.
 What hardscaping means (and doesn't)
The simplest way to think about this kind of yard construction is anything which involves covering the upper layer of soil. This kind of work is especially common in urban areas where grass and plants are not abundant or do not grow well - as a result, professional contractors offer man-made ways to help improve the look of your home's front or backyard.
Some of the most common small hardscape projects include patio stones, sidewalks and retaining walls. Patio stones are the simplest form and can vary from a single line of stones to interlocking courses in multiple colors or patterns. Sidewalks, meanwhile, may be hand-placed stones or poured asphalt or concrete. Retaining walls typically involve courses of brick or stone laid on top of one another to form a barrier between hardscapes and "softscapes" such as gardens, trees or lawns. Constructed correctly, these walls allow water to drain properly, keeping as much as possible on the softscape while preventing it from running under (and therefore eroding) hardscaped features. Larger hardscape projects can include concrete or wooden decks or large vertical features which wouldn't be possible if placed directly on soil.
Water is an important concern for any hardscape project, because in areas with little available bare earth, drainage must be a focus. If water pools on wooden or stone features it can erode them over time or may cause backups in local sewer systems. Reputable hardscapers should design a specific plan to drain your deck, walkway or patio.

 Hardscaping versus softscaping
Many landscaping companies will do some softscaping and some hardscaping, but you'll also be able to find businesses which specialize in stone and wood features only. Expect to pay more for their expertise but also have access to a wider variety of material options and design ideas. Combination hard/softscapers, meanwhile, will often strive to create balance between any natural areas in your yard and those which are created from stone or wood. Part of this is a functional necessity - hardscaped features need to drain correctly into soil - and part is aesthetic. Massive stone walls or an oversize deck may overpower a small patch or grass or manicured garden. Balance is crucial for effective hardscapes.
Hardscaped features are also an effective way to beautify yards which don't have large amounts of grass. In some climates, grass growing isn't viable; in others, the amount of water required to manage lawns and plants is prohibitively expensive. By creating stone or wood features, it's possible to create contrast between any existing plants and man-made structures, in turn improving overall appeal. In addition, stonework or decks created with drainage in mind can provide free water to any greenery on your property, rather than letting it run into sewers.

Paying for the hardscape

Often, hardscaped features will cost more than comparable square footage which has been softscaped, in large part due to the weight and cost of materials. Bringing in stone - especially if it is not native to your area - comes with a cost for both transportation and the material itself. In addition, the labor involved in moving and placing these items can be substantial.
When you hire a hardscaper, the first thing she should do is visit your yard and discuss what you'd like the finished product to look like. Your contractor should then take measurements of the yard, talk about what kinds of materials are available, and give you a rough estimate for time and cost. In addition, she should be able to advise you if an idea you have just won't work. For example, in some cases your soil will be too soft to support a stone structure or two-storey deck, and your hardscaper should be upfront about her concerns. Also, expect that the final cost for your project will be at least 10 percent more than you were originally quoted, since this allows for the resolution of unexpected problems - a sinkhole, for example - and provides a contingency in case you decide to add extra features.

Evaluating your hardscaping contractor

Hardscapers don't require any special certification to do their work. Much like general handymen, they succeed or fail based on the work they do and their reputation in the community - so before hiring any company, make sure to ask for references. Call the numbers provided, and also ask to see completed work. Ideally, see if you can find work which was completed several years ago, as this will provide insight into how the hardscaped features were designed and how well they've stood up to the rigors of weather and time.
It's also worth asking where your hardscaper sources materials. Not all stone, for example, is of the same quality, and you don't want to pay a premium price for a patio that won't last the season. Don't be afraid to ask hard questions of your hardscaper - what happens if the work can't endure local weather, or if deck boards come loose after a month? Verbal assurances about warranty work are good start, but make sure you get any promises in writing.
Hardscapes offer a balance between the natural and artificial; when designed by the right contractor, they can provide years of use

Tuesday 12 November 2013

HOW TO BUILD A REEFSCAPE

On the Rocks

As a Scuba diver, I have been lucky to seen many of the world’s most beautiful reefs. As an aquarist, I have also seen many a reef tank. Most of them drive me to despair.
One would think that the typical reef tank would somehow be modelled after a natural coral reef — a little slice of reef, if you will. Well, it is simply not true. The typical reef tank is not aquascaped like a real reef. It is scaped  from bits and pieces from many different parts of a reef, usually stacked together tightly inside a glass tank.
The first thing wrong with the reef tanks I have seen, is that their owners do not have the least idea of how a natural reef habitat looks. So how can they build a natural looking reef?

Take the quick tour with me:

If we approach a coral reef from the open ocean, we first come upon the reef wall and fore-reef. The reef wall is a solid, vertical rock structure scoured on top by the full brunt of storms, ocean surge and tidal currents. Not much grows on top of the fore-reef, except for the occasional sturdy coral living within the depressions of an otherwise barren seascape.
Several feet below the surface is where one finds abundant corals, such as sea whips and sea fans. The majority of corals on the reef wall are filter-feeding animals, drawing nourishment from the ocean water flowing past the reef wall. The few photosynthetic stony corals found in this environment are modest in size, growing slowly as they cling to the reef wall. The fish life found in this habitat is abundant. This is where one finds numerous surgeonfish, including clown, blue and convict.
Behind the protection of the fore-reef lies the reef flat. This is generally where we find the most abundant and diverse aggregations of corals. The calmer waters, combined with plenty of light, create the ideal environment for a wide range of soft and hard corals.
As we move closer to land, the reef flat gives way to patches of rock surrounded by areas of sand. This is the back reef,  or patch reef. Sand accumulates in this area because of a combination of environmental and biological processes. As storms pound the most exposed areas of the reef, forces grind coral rock into sand, and currents carry the sand to the protected back reef. This transitional area varies widely, depending on topography, currents and how the area has evolved. Soft corals dominate some back reefs, whereas delicate branching hard corals dominate others. Back reefs in areas under biological stress can be overrun with fleshy algae.
Moving even closer to shore, coral rock gives way to sand, and the sand itself changes, becoming finer and intermixed with detritus. This is the lagoon, the final resting place for all that accumulates on a reef. Lagoons, by definition, are shallow. Wind and water currents push sand and detritus from the reefs toward the shore. This builds up over time and gradually becomes a lagoon that is sometimes, but not not always, attached to a sandy beach. The windward side of an island will be just rock because it gets hit with storms; the leeward side is where one finds lagoons because they are protected from storms. If the area is exposed to strong currents, it isn’t a lagoon.
The sand can often be covered with filamentous algae and cyanobacteria. At first glance, lagoons appear sparsely populated by animals. This is where one finds lone shrimp gobies posted at regular intervals across the sand. Yet a closer look reveals that lagoon habitats are some of the most biologically diverse habitats of the reef. The great diversity, however, is not found in a lagoon’s waters but rather in the detritus-enriched sand and silt, the sand having high nutrient levels.
There are small transitional areas between each of these habitats, but for the most part, the habitats are visually distinct. One can readily tell the difference between fore-reef, reef flat and back reef because of distinct topographies, as well as distinct mixes of animals. Different animals and aggregations of animals have evolved to exploit the available niches in each of these habitats.

This is one of the greatest problems of the traditional reef tank:

When aquascapers ignore the linkage between habitats and residents, they risk the well-being of the tank’s inhabitants. Placing animals from one habitat into another can potentially stress or impair the transplanted animals, often forcing them to deal with species they rarely encounter on a natural reef. So, ideally, by modelling a reef tank after a single natural habitat, the reef hobbyist does not  just have the satisfaction of creating a reef tank that actually looks like a real coral reef — he or she has also created a potentially healthier environment for the tank’s inhabitants. But can they and will they?
The second thing wrong with the reef tanks I saw was their total lack of imagination. What, I wondered many times, happened to the innate creativity of their human owners?
It took a while before I found out that the problem did not really rest with creativity, or even with the ability to imagine what a reef looks like. The problem stems from a lack of knowledge on how to actually construct live rocks into a beautiful reef habitat. 
We can change that! You can build an underwater dream scape that will take your friends’ breath away! Anyone can build a beautiful habitat. I am going to show you how.
 Since most of you are unlikely to want to create a lagoon, or patch reef habitat, we need to find a way in which we can create a realistic and natural looking  reef that allows the living inhabitants to thrive and yet allows us to have the best and  most beautiful of the actual, natural reef worlds.
The problem is that most ready-to-buy tanks tend to have a low surface area relative to their height. Most reef tanks I have seen are too tall; and because of the height, most hobbyists put too much rock in their tank. They have to, otherwise they sit with half empty tanks!
Although this approach to aquascaping a reef tank is the traditional method, it falls very short if one is trying to emulate nature as much as possible. There is no habitat on the natural reef that resembles this stack of rocks. On the natural reef, most fish spend their time swimming in the open water above the reef. In the typical reef tank filled with rock, fish are essentially pressed against the reef structure and have no open areas in which to swim. A reef tank filled with rock is also a lot more difficult to maintain. Many of the husbandry problems that develop over time as a reef tank ages are compounded by too much rock in the tank.

The traditional interpretation of a reef: Lots of rock, lots of coral, lots of money – but not anywhere near as appealing as a modern Reef tank.
The solution is to have a tank specially made — and have it provide you with greater tank width and possibly a shallower depth. A large surface area in the tank enables the construction of isolated rock clusters surrounded by sand, which allows you to create a much more convincing reef. The large open areas in such a construction will allow fish to swim freely and hover over the rocks, as they would on a natural reef. In addition to being more realistic, the isolated rocks and shallow depth all help make the tank more accessible, whether this be for simple chores, such as cleaning the glass, or more labour-intensive tasks, such as vacuming the sand, or changing water. In short, it simplifies every aspect of maintenance.
 

A beautiful modern interpretation of the reef, created by Steve West

Modern SALTWATER REEF Aquascaping

Hopefully you are, or want to be a modern Aquarist: One who is willing to take interest in the construction of the rock work, paying the same attention to placing even the smallest of rocks  as you would to the larger and largest rocks. I say hopefully, because in this article I will be focusing on this kind of commitment,  and try to share the modern principals and notions around Reef Aquascaping, inspired by Nature and taught by just a very few natural reef building gurus.
Building a reef layout can be tricky. And we may have many differences of taste. But you need to commit to setting up an environment that is natural and comfortable for your future tank inhabitants, to providing the appropriate shelter and space for the fish to swim, and enough suitable areas for coral placement. If you cannot commit to this, then please do not start a reef tank.
Many of you may now tell me that you do not have the skills, or the imagination to create a reef environment that is eye catching and natural. If you are serious about reef building, I am going to prove you wrong. And not only that, I am going to prove that that the rock-scape itself is actually the primary factor in creating a more natural and balanced tank with enough places for coral placement,  in ways that will promote an easier way to appreciate the tank in detail, as well as a whole. I am also going to show you how the planning and meticulous placement of your rocks can also promote better biological filtration, since it will allow water to flow more efficiently through and around your rocks, helping the bacteria and microorganisms perform their job better, while reducing the chance of detritus accumulation.

Understanding why we need to pre-plan construction

Let us begin with five simple rules to guide you, and to focus your attention when it comes to building a reef:
  • Always think of good water flow around and through the whole rockwork
  • Always create fish shelters and hides
  • Always provide enough fish swimming area
  • Always consider places to place the corals you want to keep. (Please research what they need!!!)
  • Always commit to a natural feel, and seek beauty and balance in everything you build.
Understand that a reef tank is essentially a Hardscape — decorated afterwards! A reef cannot be a reef without its underlying skeleton of hard-coral, or rock bones. So to simulate a reef structure, we need to know how to put live rock (expensive stuff) together and construct it in such a way that it provides plenty of ledges and terraces where live organisms such as corals, mushrooms and anemones can be placed.
But before we even begin to consider how to build a reef, I want to urge you to read my article on hardscaping, as it contains a myriad of useful tips and tricks that you will find very beneficial for your reef building project. It is called “Between a Rock and a Hard Place” and can be found under the Aquascaping drop—down menu, which you also used to find this article.  That article also teaches you how to compose the design of your Hardscape — information I do not want to repeat here. As a reward, I am going to tell you the biggest secret to attaining a stunning aquascape:
If you have placed your rocks properly in your underlying hardscape, the rest of the scape, as if by magic, will lay itself out for you.  You will know it the second this happens for you. It will ignite your imagination! It is as if the moment you attain a harmony and balance in your placement, everything else is drawn to and wants to become part of that balance.
I also have a second secret to building a beautiful hardscape for your reef. We will do it OUTSIDE of the tank first. You may think that I am crazy, but you will only think so until you have done it your way — which usually means dripping water all over the place and cursing with frustration, or even worse, cracking the floor of your tank! Trust me, my way is better.
The first thing we have to consider is how your tank is going to be viewed: From the front only, from the sides too, or perhaps from all sides because your tank is a room divider? Is it going to be viewed from eye-level when you are standing, or when you are seated, or will it be partly viewed from above? This is important, because in a reef tank you need between 15 and 25 cm free space above your rock-work construction to provide room for high light requiring organisms.
The second thing we have to consider is the importance of water flow. Walls of rock, whether live or dead, always break up water flow very efficiently. Yet reefs with corals need very good water flow. You may need additional power heads blowing into and through your terraces and mounds to ensure good, full and complete circulation. You want your corals to thrive and you do not want debris collecting in places you can not see or get to!
The third consideration is this: How much rock do you need to build your reef? It depends on the size of your tank, and the type of reef you want to create.  I will explain that later. But for now you need to know how much rock you will need, not only because of the financial implications, but also because the weight of your rock, plus substrate, plus water, plus tank must be calculated beforehand, so that you can make sure your tank stand and your floors will be able to bear it.
Likewise, you would need to have all the saltwater aquarium equipment together, preferably already set-up and tested, even if you only test with fresh water first. Make sure beforehand that your tank does not leak!

Learn the basic building skills

Let me try to help you with this.
First to clear things up: While a reef-building aquascaper works with live rock, I may sometimes simply speak of ‘rock’. Unless I expressly state otherwise, please take this to mean live rock.
Now watch. I am going to use just 12 pieces of rock to build a construction element and show it to you in an image, or perhaps two, to demonstrate.
Then I will break it apart and use the same rock to build the next image, and do this over and over, until I have shown you all the different elements. Please pay close attention — because you are going to use all of these configurations by stringing them together to construct your entire reef scape — and this may enable you to estimate what you will need.

With these 12 rocks, I am going to build 5 basic construction elements and one extra. Let’s call the basic elements the wall, the mound, the terrace, the column, and the curve. The extra is a bridge — an element that is do-able, but dangerous. I did it solely for the engineers, and for those of you who like to live on the edge!

The Mound, as seen from the front.


The Mound, as seen from above.
The Mound is great for tanks viewed from 3 or 4 sides. It gives a tremendous
amount of fish hiding and nesting places in its base, and offers lots of places on which to put things. It seems logical that the more rock you have, or the bigger your rock is, the higher or bigger you can build — but this is not necessarily so. I’ will explain this in due course.
If you are pinched for money and can find good dead rock, you can use it as the core of a larger mound if you need more volume. Over time it will become live rock in your tank.


The terrace, as seen from the front.

Add caption
The Terrace as seen from above.

The Terrace is a series of steps, each one higher than the previous one and highest toward the rear. It creates lots of extra nooks and crannies for fish and corals and offers them different levels to live on and do what fish do. When we place sand or substrate in front of a terrace, it gives diggers and sand sifting species, as well as sand—loving corals and clams space to do their thing.

COMBINE:

Put a mound and a terrace together, and you create a myriad of nooks, crannies and caves each which will very quickly be claimed by a fish. Depending on how big, or small you build this combination, it can take up a good amount of floor space and leave only a little around the edges.This combination also gives you many places to put things on and will accommodate quite an astonishing amount of corals.

The wall, as seen from the front.

 

The wall as seen from above.
The wall takes less space on the floor, but offers more niches higher up.You need to wedge everything together triple good, you may even want to glue parts together with a dab of aqua-safe putty or silicone. We are talking rocks on glass, so do not play house of cards!
Be careful though that you do not build the kind of wall that looks like granny’s display cabinet. It is not only ugly, it also seems static. So combine any wall you build with an amphitheatre-like curve, or some other, softer element or arrangement.


The curve as seen from the front.

 
The curve as seen from above.
The curve is really just like a wall, but arranged in a semi-circle. To me this is perhaps the most important element of them all, because it is the one element that will give you a natural looking reef! This particular version is centered and built with even sized rocks, but it can be started at the front and go to half way across the back, or it can curve in an s-shape for a completely different look. You can also build it by starting with bigger rocks at the base, then smaller rocks above.
 The wall and the curve are taller, narrower structures, with lots of caves, nooks and crannies.
I would always use a combination of several curves to create ‘ins’ and ‘outs’ in my scape, working outwards from my back wall, or from a more centrally placed mound — not only to spread living and hiding spaces around, but to create more definite territorial delineations, and a much more pleasing, natural looking scape.
 Curves offer good places for housing corals on top, while leaving a good amount of open floor space for bottom type corals like tongue, plate, or elegance, clams and such. If you are careful while building it, you can even place a thin shelf type piece that projects out enough to put a coral on as long as there is enough weight on the part in the wall to hold it down. Then you can put a less light-loving coral

The column as seen from the front.


The column as seen from above.
A column is a pile of rocks built upward, but not as straight as a pillar. Build it as an island and you bring variation into your scape. The column is good for fish display as it gives the most open swimming area, while still providing nooks and crannies. If you find good dead rock, you can use it as the core of a larger column. Over time it will become live rock in your tank.
Columns should also be built in such way that it offers lots of flattish places to use as shelves that you can place things on.
 
The Bridge
I am really hesitant to show this possibility. Firstly, bridges such as these are rarely found in nature, and it goes against my grain to create something that does not naturally occur. And yet, for many aquarists, bridges have a certain visual appeal that they find hard to resist. Consider how strong and anemone or snail can be. If you want to build bridges, use much heavier rocks and build much more structurally sound than the example shown here.
The Construction of a hardscape for reef tanks becomes easier the moment we break it down into smaller portions. It is as if we suddenly understand how they can be strung together to make a whole! So, the images and comments above were meant only to show you how to put together those elements with the minimum amount of rock, but has nothing to do with aesthetics.
So, you need to know that the ability to construct certain elements does not make an aquascape yet!

How to Aquascape your reef

Many reef tanks are much too far removed from the tenets that nature teaches us.  Where is that feeling of wild abundance, of species having evolved and survived through millennia, of species wanting to reproduce and defend their homes and territories? In short, where is the essence of life? A few species flitting past, or corals sitting clustered upon rocks, do not make a tank come to life. For me, it is the down and dirty everyday life of each species that makes the difference, and the beauty with which nature creates their habitats, filling it with countless possibilities for each kind to find a niche and a home and to truly be what they were meant to be.
The truth is that the traditional (old-fashioned?) marine tank aquascape uses lots of live rock, piled left to right, front to back, filling the tank. Corals are then spaced out along the pile, with light-requiring species at the top and low light species at the bottom. Whether they are impressive, or not,  I call all these reefs ‘granny’s display cabinet reefs’, because they are nothing more than treasures heaped upon a series of rock shelves.
This kind of design may be well proven, but it doesn’t even come close to representing a natural reef. It also uses a lot more live rock than you really need and its construction leaves many dead spots at the back, behind the rock.
A modern aquascape is much more open. Why? In the first place we are looking for better water circulation, because this is the lifeblood of our living reef. In the second place, we want to construct the live rock in such a way that it makes interesting shapes and overhangs, just as we find in nature. Thirdly, we want to construct a reef with coral growth in mind. Without proper exposure to light and nutrient, fast flowing waters, your corals and fish simply cannot thrive!
So before you can construct anything, you have to carefully pick your live rock, or if you are re-scaping, sort your existing live rock and consider what to add. During this process, you need to pick rocks with interesting shapes, and in particular, rocks that lend themselves to becoming natural caves, or bridges, or rocky overhangs.

Pro tip:

Always aim for batches of matching rocks that when combined, will give the appearance of a single rock – or can be used together to create a ‘theme’.

Placement

When it comes to rock placement, you will need to be adventurous. You can drill through live rocks and fasten them together with cable ties. Rock can also be drilled and then threaded on to plastic or acrylic tubes cemented into a sturdy base rock to create supporting pillars, or columns and mounds, onto which corals can then be securely attached with putty. The result of adventurous construction is an aquascape that is much more interesting, with a much larger total surface area for circulation and coral placement, while using less live rock,  all of which is good news.
Do not ever use your aquarium walls to prop up your reef structure! Move rocks away from the glass sides and back, so that water can flow all the way through and around the live rock. This prevents the unseen build-up of sediment and detritus that could harbour nitrates, and it makes maintenance a lot easier.
With better water flow and more rock surface exposed, less rock can be used, cutting down on weight and the amount spent on this feature. Understand that live rock is a major factor in the biology of a saltwater system, as it acts as filtration. So I am not advocating that you should not have a sufficient amount of live rock. But stacked reefs really con you into using much more live rock than you actually need. In fact, you can even use dead rock or modern replica rocks as volume builders, and jut them out from under your live rocks, creating even more space for corals on top and shady overhangs for shade-loving sun corals and fish underneath. If you choose porous dead rocks, they will over time become ‘live’ in your tank. (Tip: Old hands at marine systems place dead rock in their sumps and then add the chips and detritus from their construction project in too. Over time this provides them with live rock at no extra cost!)
It is time to begin planning our actual aquascape.
I am going to use the method of reef building guru, André Silvestre,  and demonstrate creating the aquascape of a reef inside a tank. Hopefully you will  first construct this outside your tank.

Create a focal point: 



In the image above, André Silvestre created one solid rock island with a pronounced focal point that stands out as a diagonal reef plate. (This is a scape for a mini tank and he will do little more in terms of construction. But the point is to show how prominent a focal point needs to be)
The focal point is the most important ‘rule’ of all. This is where the entire layout is born, and from where it develops to other parts of the tank when it is viewed from the front glass. The focal point is the part of the layout that should stand out the most — so to say, the most dominant area of the tank. Focal Point is related to the Golden Ratio which plays with the 1/3rd and 2/3rd equation, as set out in my hardscaping article.
A focal point can be created through a big rock, or pile of smaller rocks, or both — that when positioned in a particular way, will capture the viewer’s attention the minute he looks into the tank.  Later on, you will strengthen this focal point,  perhaps with fleshy corals that have warm colours like red, purple, orange, yellow, etc., or otherwise with corals that will form a big colony once they fill in, or both.
We could create the focal point in a ‘negative’ zone such an open sand area, or even create more than one focal point. But one should always dominate. However, the first technique can have a limited effect, since creating the focal point in a sand area will inhibit the smooth leading of the eye through the rock structure and its corals, because the viewer’s eye automatically begins in the sand and will continue through the sand until he/she is forced to turn his/her attention to the rock structure and the corals placed on it. This is because there is not a natural transition from the sand to the rock. We have to create it.
Transitions are made through connection points that belong to either the same materials or a specific subject, or element.  Sand pathways, for example, will always have fluid transitions even if a rock is placed in the way to narrow that pathway, because the sand has continuation beyond, and we, or rather our  brains perceive it as such. Our rocks will also have the same smooth visual transition, as soon as we place a second and perhaps even a third element of rocks, even if this essentially creates islands separated by sand.
This is so, because rocks have both a bigger impact and a greater contrast in relation to the sand. We can now further exploit that contrast by placing small/medium rocks to create a transition from one island to another, without losing the fluidity of the design. But here we need to be very careful how we place the rocks, and how we make the transition, because we do not want to confuse the viewer’s eye. We want the focal point to remain dominant in order to fix the eye and only then lead it further.
We do this by creating ‘tension lines’ or ‘escape lines’ which not only will lead the eye,  but will also help us to achieve a balanced perspective between the rock elements (1st, 2nd and possibly 3rd focal points) and therefore, throughout the entire composition.

Create Tension or Escape Lines:

Tension or escape lines are extensions made of rocks that flow outwards from focal points – and in fact, they  match and seem to have their origin in the focal point. From there they take the direction towards the infinite and/or towards other rock structures. They serve to guide the viewer’s eye from the focal point to the rest of the rockwork, in a smooth, fluid way, and impart balance to the entire layout throughout the background, mid-ground and foreground. They also serve as connections between the main and secondary rock structures, when one builds a two- or more-island layout. At the same time they add detail to the overall composition at the base or sand level and provide coral placement areas from the sand sand level right up to the top of the reef.
Remember the Pro Tip: Always Aim for rocks that when combined, will give the appearance of a single of rock, and in the case of leading tension lines will match the focal point’s rock/s.
Playing with tension lines help us to give a three-dimensional perspective to our layout, but they should not be used in such excess that they become distracting, or, even worse, unnatural. Aim for an irregular number of tension lines, as this contributes to an asymmetric effect, which always look more natural than symmetry, because symmetry simply does not exist in Nature.
In a new scene, in the image below, André Silvestre used triangular formations flowing out from the the main as well as the secondary focal points down to the sand level, repeating these lines once more, in the same triangular theme,  in the the plates placed at the middle level of the layout. Also note that the tilt and direction of the two rock elements harmonise in a very subtle way.

Creating depth with rock bleachers:

Rock ’bleachers’ are base, or core rocks that allow you to create depth as well as volume. They are meant to promote a smooth transition between the foreground, mid-ground and background. The ‘Bleacher Effect’, as André calls it,  is much more noticeable if the rocks that serve as ‘base rocks’ to the rest of the rockwork are smaller in the front and taller and bigger in the back. Besides rock size, one can also play with the sand bed,  by sinking or raising the rocks into or lifting them up in the sand. The visual effect of the rock bleachers depends on how the base rocks connect to the upper rocks.
There is a trick to creating the ‘Bleacher Effect’. You want to place them in such a way that the back ones can still be seen when viewed from the front, at the same time as you see the smaller bleachers toward the front. It is the dimensional difference between them that creates the effect of depth and volume. This trick also creates extra depth at the sand level and physically as well as optically widens the layout. To find what works best you must try different positions for your bleacher rocks, viewing from all sides until you have found the best angles.
Remember that depth is always a matter of perspective when you work in a tank, so you may have to arrange several perspectives until the arrangement looks right – a task better done outside of your tank and then transferred when it works. (You will keep on spraying your live rock with salt water throughout this out-of-tank process. Nothing will die. All that will happen is that some creepy crawlies might emerge – usually ones you do not want in your tank!)
Another alternative to create perspective is using small rocks in the foreground,  with bigger rocks in the mid—ground and finally smaller rocks in the background — as this gives the feeling that rocks get smaller with increasing distance.
However, do not confuse with the ‘Bleacher effect’ which is exactly the opposite — big rocks in the back, small rocks in the front. The ‘Bleacher Effect’ is made only with the base rocks. All the other remaining rocks of your structure, again smaller in the back, big in the mid and small in the front, are positioned next to, or on top of the base rocks to give the final depth effect. Again, remember that they always have to be angled in a way that gets you the most perspective, or ‘illusion’ of depth.
In the image below, you can see how André Silvestre took the same basic arrangement of before,  and added the base rocks to create the ‘Bleacher effect’. Note that while he did it on both rock structures, he exaggerated the effect in the main focal point.
 

At this point you may perhaps feel that we are working back to front. But we are not. Remember, you are still just reading, not building yet. The reason the process is set out in this way, is so that you can actually see how the layout is transformed from a flat two-dimensional idea into a bold and very believable three dimensional reef structure.

Open Spaces:

When aquascaping a reef structure in the modern way, you should always consider leaving some areas open for sand. It gives a tremendous visual impact to your rock/reef structures and imparts a natural, open and clean feeling. It also makes maintenance and glass cleaning a breeze and allows a much better water flow around the rocks. Open spaces around and between between two or more rock structures also contribute greatly to a more natural, three-dimensional effect, with heaps of depth. You can even opt to build two separate structures so close together that it almost gives a ‘gully’ effect.
This open space between rock structures always works best with sand, as the sand helps to increase the feeling of depth, especially if the rock structures get narrower from the back to the front. It literally creates the feel of a ‘canyon’  between the separate structures.
In the image below we can see how open the reef structure really is – and also how it never leans against or even touches the glass.  We will soon look at how stunning this aquascape  looks when finished!
 

Rocks in the sand:

Finally, position some small rocks in the sand at the end terminations of the tension/escape lines, to give the last detail to the overall aquascape. These small rocks are essential, because they what completes the look of the big base rocks rising from the sand bed — giving the appearance that natural erosion and sedimentation occurred. We find this in all rock structures, whether they are under or above water. It is attention to these little details that helps us to create that enviable natural feeling when we look into our reef tanks. Do not think that they won’t be noticed. They will, because this is where the eye terminates after wandering through the tension lines.
André Silvestre  likes to emphasise this by pointing out that every rock structure has small rocks in the end terminations, some next to the big rocks, others serving as small islands. In the image below, he shows how it is done. Use these tricks to showcase your skill at building a modern reef. 

In almost no time at all, with a last look at the new aquascape from two angles, and a time period of cycling to allow the settlement of coralline algae, we can  finally look at the end result: A modern aquascaped reef!
 

 

This is a stunning reef tank that truly tells a story of the world below the water.
We see how fish act like they do in nature, swimming and hovering above their reef. We see how sand creatures will find their own niche below. We see hides that fish can claim as homes at night. We see cleaner shrimp having claimed a place of their own, and now advertising their services to fish needing to be  relieved of their parasites.We see corals flourishing in their various placements. In short, we see a fully functional working reef!
And then we understand how André Silvestre can publish images like these:
 

 

 

 

 

As for the mini-tank that served as our focal point demonstration, it did not take long for it to look like this:
 


I sincerely hope that all of this has has inspired you to create a stunning, modern reef tank.

In final summary, here are a few more tips on setting the rock in your aquarium properly

  • Be extremely careful not to let the rocks touch the front of the aquarium or fall against the aquarium walls, because they will definitely scratch the glass.
  • Do not build or lean corals against the glass walls of your tank. Create an oven, free-standing structure.
  • Always use two hands when setting your rock.
  • For a new aquarium, it is always much better and easier to create your arrangement outside the tank. Glue, putty, or fasten the rocks that need it. Then transfer your construction into the empty aquarium with only a sand bed. You will fill the tank only once you have finished. Keep any breaks short, for the sake of your live rock, or otherwise place them back into salt water. Throughout the setting-up process, keep on spraying with saltwater to keep your live rock moist.
  • When placing your rock, make sure that you wiggle the bottom layer of rocks down through the sand so that they rest firmly on the bottom of the aquarium. If you are working with very large rocks, you may want to cushion them on egg-crate instead.
  • Then stagger the rocks on the bottom layer creating interesting caves and passageways through them. Always use your bigger, heavier rocks for the bottom layer, and for creating a dimension of depth.
  • For the next layer use longer flatter rocks to bridge the gaps between the rocks on the first layer. Make sure to wedge the rocks in securely.
  • If the rocks don’t seem to fit together, try adjusting some of the rocks on the bottom layer.
  • If the rocks don’t fit together sturdily, use smaller rocks to act as spacers and give the larger rocks a sound foundation.
  • If you need smaller rocks, but do not have any, use a hammer to break one of the larger rocks into pieces.
  • Use the heel of your palm to gently hit the rocks and wedge them tightly into place.
  • When setting the rock, think about creating caves and hiding places, as well as many levels of platforms for your coral to sit on.
  • When you are finished, tap your hand around on the rocks to make sure they are all secure and nothing wobbles. You do not want rocks to fall down or get knocked over.
I thank you for your patience and I wish you great success in your reef building venture. To inspire you,  I will end with a few images that will hopefully light up your imagination. The last image is of a nano-reeftank that only sports corals and shrimp. It does not represent a reef. Instead, it is meant to give us a close-up look of a tiny slice of a densely populated coral reef.











Sunday 13 October 2013

CO²-UNDERSTANDING CO² FOR PLANTED AQUARIUMS

CO² – Understanding  for Planted Aquariums

The majority of aquarists tend to shy away from any article that smacks of chemistry or science — and this is no less so when it comes to understanding why we need CO2 to have thriving planted tanks. But understand it, we must, or we risk losing all the time, effort and money we put into our carefully, lovingly aquascaped tanks.
So let me start with this quote from the famed aquarium artist, Takashi Amano, who said:

“We have to remember that we either live in nature, or not at all. Through building and maintaining beautiful natural aquaria, people relearn the intricate connections between forms of life: plants, fish, micro-organisms and humans. Riches and beauty come from harmony, from balance. Aquaria are great teachers of this truth.”

You may well want to want to ask, what on earth does this have to do with CO², or carbon dioxide? Well, it has everything to do with creating, or at least mimicking Nature in our planted aquaria.
So let me promise to make this as easy as is possible, even for those of you who hate chemistry, or science.
 

Why CO²?

The reality is that all life on earth is based on one fundamental element: Carbon. Without carbon, we would not exist — and neither would plants. The difference is that unlike us, plants have no way of getting to their food sources. They have to obtain their nutrients from their surrounding environment.
Plants use many macro and micro-nutrients, but carbon dioxide (CO²) is beyond any doubt the most important of all plant macro-nutrients essential to their survival. Without sufficient CO2, plants cannot photosynthesize, or convert light into energy-rich sugars, starches and all the other carbon-containing molecules that constitute a plant, nor can they produce new leaves and roots.
In nature this is no problem, but in the closed system of an aquarium we are faced with several factors we need to overcome to be successful. These are: Light, CO², micro-nutrients (or trace elements), and macro-nutrients.
We usually manage to supply an adequate amount of micro and macro-nutrients via fish waste and the addition of fertilizers. This leaves us with solving the problems of light and CO².
Plants use the process of photosynthesis to produce the carbohydrates they need for life. But photosynthesis requires light for energy — and CO2 to drive the chemical reactions. The process of photosynthesis also requires a specific threshold in light energy to start the process of photosynthesis. In other words, the light we supply must reach aspecific point of intensity, because if the light in our tanks is not bright enough, photosynthesis will not occur.
If our lights provide an intensity beyond that point (of bright enough) to some higher light level, photosynthesis will become progressively faster. Theoretically, this should mean that plants will grow and flourish faster. And yes they would — however, at this point, for most aquariums, supplementary CO² is required to keep on driving the process.
Paradoxical as it may sound, this is also true for the opposite : If you do not have enough bright light, you need to supplement with  CO2, if you hope to promote growth. I will explain this a little later.
So, yes, you can grow aquatic plants without CO² — but only up to a point. You will never attain the vigorous plant growth and luxurious foliage that is characteristic of a  CO²  supplemented tank — or the added benefit of little or no algae — without CO² dosing.

 

Understand that there is always CO² in our planted aquariums — even without us adding it by mechanical means. Fish ‘exhale’ CO² from their gills. Also, when we aerate our tanks (which you should not be doing in a planted tank!), CO², as well as oxygen is derived from the atmosphere and dissolved in the water because of a natural process called atmospheric equilibrium.
In nature, however, CO² levels are usually much higher than can be explained by animal respiration or atmospheric equilibrium alone — and true aquatic plants have evolved to this higher concentration of dissolved CO² in water. Unlike terrestrial plants, which absorb CO2 from the air through their stomata, aquatic plants take up CO2 directly from the water by passive diffusion. In fact, their evolution as water inhabitants delivered them with epidermis cells that contain chloroplasts, since this reduces the distance from their CO2 source to their photosynthesizing cells and their energy processes. The reason for this is that  groundwater rich with Carbon dioxide often feeds the streams and water habitats of true aquatic plants, and in these habitats natural concentrations of CO² up to several hundred times atmospheric equilibrium are common.
In general, aquatic plants therefore not only like, but actually prefer an environment with approximately a concentration of 10-15ppm (part per million) of dissolved CO².  In contrast, in atmospheric equilibrium, the CO2 levels are generally no higher than 2-3ppm. So, as you can logically conclude from this, CO2 injection is essential for vigorous aquatic plant growth, and even more so with higher light levels!

But what does this mean for the fish in our planted tanks?
Since our fish depend on a CO² concentration differential between the levels in their blood and the levels in the water to transfer gases via expiration through their gills, high levels in the water will reduce the amount of CO² that can be transferred.  So, theoretically, high concentrations of CO² in the water could  block the CO² respiration of fish and therefore could cause oxygen starvation. But this is unlikely to ever be a problem if your plants are flourishing and your  CO² is dosed properly. It is proven fact that a concentration below 30ppm is safe for fish. (The recommended rate is 15–30 mg/L.)
Also, there is a common misconception that water can hold only so much dissolved gas, and that adding CO2 will displace the oxygen in the water. This is not true. In fact, if enough CO2 and light is present to enable vigorous photosynthesis, oxygen levels in the water  can reach 120% of saturation. This is even so at night, when the plants stop using CO2 and start using oxygen: the oxygen levels will stay about the same as in a typical non-planted aquarium.
A word of important advice here: If you have any air pump in your planted tank, switch it off! In fact, retire your air pump entirely.  It cannot be emphasized enough that an air pump should never be part of a planted aquarium. The function of an air pump is to supply oxygen (O²) to fish and/or invertebrates in aquaria that have no sustainable oxygen production from aquatic plants. In all planted aquaria, there should be more than sufficient oxygen for both fish and invertebrates, even at night when there is no photosynthesis. When plants, fish and invertebrates respire during the night, CO² is produced and dissolves readily in the water. This CO² is then used in photosynthesis by the plants once the light is switched on the next morning. If you have a running air pump, the CO² is de-gassed to the air  — in the same way carbonic acid is lost from a soda or beer can when shaken. Now, that is really counter-productive, considering we are trying to get CO² into the aquarium, not out!

 

The relationship between light and CO²
The relationship between light and CO² levels is important. If an aquarium has low light and low CO², there is very little energy to play around with for the fluctuating up and down processes nature uses to regulate the pools of chlorophyll or enzymes contained in a plant. So when we add a little CO² to the low light system, the plant needs less energy and resources to uptake CO², leaving it more energy to optimise its use of the available light for its photosynthesis. Thus it can produce chlorophyll without any fatal consequences for its energy. This means that even though we have not raised the light intensity, the plant can now use the available light more efficiently.
We can use exactly the same explanation to understand why an increased light intensity can stimulate growth even at very low CO2 concentrations. Because there is more light available, the plant needs to spend less energy on using the light to photosynthesise, leaving the freed-up energy to more efficiently extract the CO² available in the water.
In Nature there is always a constant play between using what is available and the eternal choice between processes, and to to what extent an organism’s life energy is expanded to which process, in order to secure its survival. Life wants to live. This is no different in the case of aquatic plants.
The logical conclusion that must follow the two explanations above, is that an increase in lighting and the addition of a CO² infusion should lead to a flourishing planted tank. This is because all the energy freed-up in this case can now be invested in growth.
While we can easily provide macro and micro-nutrients to our plants with commercially available fertilizers, it is often a more difficult and expensive task to provide adequate light over the planted aquarium.
Provided they are meant for plants, both fluorescent light and halide lamps in sufficient numbers will produce a sufficiently high light intensity, especially if they are also rigged up with effective reflectors; but in deep aquaria, meaning more than 45—50cm deep, it is very difficult to offer enough light to small light- demanding foreground plants. The preferred first remedy for this is always CO² addition, before any other action is taken! The reason is that even at very modest light intensities the addition of CO² can very quickly bring about a significantly obvious change in the performance of the plants in your aquarium. The exact CO2 dosage may vary from tank to tank, but concentrations from 10-15ppm will already vastly improve plant growth. The proof lies in the pudding: Use CO² and you should see your plants flourish — even plants that were barely able to survive before!
In fact, use COand within a short while your main activity will be vigorously pruning, growing and exchanging plants with other planted tank enthusiasts!
So you see, there is no secret to successfully growing a planted aquarium. Nor do you need science to understand the techniques. Those gorgeous planted tanks shown in pictures have not come about by luck, green fingers or any magic. They all flourish because of CO² injection!
So how are you going to go about adding  CO² to your aquarium? There are two possibilities for attaining a CO² dispenser. You can buy a system — streamlined, functional, and coming with all the bells and whistles, but pricey; or you can build your own low-cost system, and accept the bit of hassle that goes with it. You will find diy instructions on the internet, but also check forums to find out what worked for other aquarists.

Friday 6 September 2013

CHEMICAL TESTING OF YOUR POOL

 Chemical tests and adjustments alone will not promote proper water chemistry. Rather, adequate circulation and filtration, as well as the pursuit of a routine maintenance schedule are also required. In order to perform routine maintenance, you have to become familiar with your maintenance equipment:


TESTING DEVICE

TELEPOLE

NETS

BRUSH

MANUAL VACUUM ASSEMBLY

AUTOMATIC VACUUM CLEANERS

DERLIN SPRING

CONNECTOR PIN

GARDEN HOSE OPERATED VACCUM

BACKWASH HOSE

AUTOMATIC WATER LEVELER 

TEST DEVICE:
 You must constantly test for chlorine (or its alternative), pH, and Alkalinity at the poolside. Approximately once per month, or if unusual pool readings occur, take a water sample to your local pool professionals and have them test every chemical reading on the computer. Test chlorine (or its alternative), as well as pH and Alkalinity, 2 - 3 times per week during normal weather conditions and under normal use. Test chlorine (or its alternative) daily during periods of scorching temperatures, unbearable humidity, and intense sunlight, as these are the times when bather load is at its highest. Test chlorine (or its alternative), as well as pH and Alkalinity, after heavy rainfall, before and after a pool party, and, of course, if water appears to be cloudy, murky, or beginning to form algae. The only way that you can accurately depict the condition of your water is by administering the actual tests. Either with test strips or test kits, the tests only take minutes to perform. Test strips and reagents (or tablets) for test kits are also inexpensive.
TELEPOLE:
  A long aluminum pole that can extend to various lengths in order to complete its intended maintenance procedure at any area and at any depth of the pool. The telepole attaches to your nets, brush, vacuum assembly, and other maintenance equipment in order to perform a maintenance task. The telepole also attaches to the "Shepherd's Crook," which is a life-hook (a life-saving device).
NETS:
There are two styles of standard pool nets: Deep Net and Skimmer Net.

  • The deep net, which is often called a leaf rake, has a wide opening and a deep net. This style of net is primarily used to reach leaves or other large debris that have settled to the pool floor. The deep net can also be used to skim leaves and debris off the surface of the water, but the skimmer net is best at performing this task.
  • The skimmer net, which has a shallow net, is primarily used to remove leaves, grass clippings, debris, or insects that float on the surface of the water.
BRUSH:
 Typically, a brush is 18" in length and has either nylon bristles or stainless steel bristles. The brush is used to brush away dirt and debris, as well as algae, from the pool walls and floor. There are also specialized brushes, such as an algae brush (only used to brush away algae) and a corner brush (to brush away dirt or debris, as well as algae, from the corners, where the walls meet the floor, and at the faceplates of the skimmers and return jets, where stubborn dirt, debris and algae is capable of escaping the standard 18" brush).
The nylon bristle brush can be used with any type of pool to brush away dirt, debris, or Green and Mustard Algae. The stainless steel bristle brush can only be used on a concrete, gunite, shotcrete, or fiberglass pool to remove stubborn Black Algae, stubborn dirt, any stains or scale. A stainless steel bristle brush can never be used with a vinyl-liner pool (it is too abrasive and may tear the liner).
MANUAL VACUUM ASSEMBLY:
  Consists of the vac head, the vacuum hose, the telepole, and perhaps a vacuum seal plate. There are two styles of vac heads: the brush-style vac head and the wheel-style vac head. A brush-style vac head is used for vinyl liner pools. A wheel-style vac head is used for concrete, gunite, shotcrete, and fiberglass pools. One end of the vacuum hose will connect to the vac head and the other end of the vacuum hose will connect to your skimmer. If so, a vacuum seal plate should be placed over the skimmer in order to trap optimal suction to complete the vacuum. Some pools have a designated vacuum line. If this is the case with your pool, connect the vacuum hose to this designated vacuum line instead of the skimmer. Use the telepole to maneuver the vacuum assembly across the pool floor and walls.
AUTOMATIC VACUUM CLEANERS:
 A vacuum cleaner that will vacuum your pool for you. Regardless of the brand and type of automatic vacuum cleaner, if you can afford one, buy one. They are a worthwhile investment. But, even if you own an automatic vacuum cleaner, you will still need to use your manual vacuum assembly in these situations:

  • The pool has just been opened (after previously being winterized). After opening, a large amount of dirt and debris is typically present on the walls and floor.
  • Any time that a large amount of dirt and debris are present on the walls or floor.
  • Algae is present.
DELRIN SPRING:
 The spring that allows certain maintenance equipment (like nets, the brush, and the vac head) to attach to the telepole. Delrin Springs will break. But, they are extremely inexpensive. Purchase a half dozen at a time, store them with the rest of your maintenance equipment, and replenish your stock when you are down to your last Delrin Spring.
CONNECTOR PIN: Some maintenance equipment use Connector Pins to attach to the telepole. Connector Pins will break or get lost. But, they are extremely inexpensive. Purchase a half dozen at a time, store them with the rest of your maintenance equipment, and replenish your stock when you are down to your last Connector Pin.
GARDEN HOSE OPERATED VACUUM:
 Some pools do not have suction lines in order to vacuum the pool with a manual vacuum assembly. In order to vacuum these pools, a garden hose operated vacuum is used. There are two types of vacuum units: the brush-style vacuum unit and the wheel-style vacuum unit. The brush-style vacuum unit is used for vinyl-liner pools. The wheel-style vacuum unit is used for concrete, gunite, shotcrete, and fiberglass pools. Your standard garden hose will attach to the vacuum unit. The running water from your garden hose will create suction, drawing the leaves, dirt, and other debris into the silt bag of the vacuum unit. Once full, empty the silt bag, reattach it to the vacuum unit, and start again until the silt bag is full.
Many pool owners with the capability to use a manual vacuum assembly will also have a hose operated vacuum unit in their possession. If there is an enormous amount of leaves and other large debris on the pool floor-to much to net out and such a large amount that would clog your vacuum hose-the hose operated vacuum unit works great. The only drawback is that the silt bag can only hold so many leaves and other debris until the unit must be taken out of the pool, emptied, reattached, and sent back into the pool.
BACKWASH HOSE:
 Some pools do not have a plumbed in waste-line. Either local code or restrictions in your area did not allow for the waste-line. If your pool does not have a waste-line, simply purchase backwash hose from your local pool professionals. Backwash hose will allow you to manually create a waste-line any time you need one.
AUTOMATIC WATER LEVELER:
 Not at all considered maintenance equipment, but it is a very valuable accessory for your pool. Due to evaporation and splash-out, you will lose water, which will have to be replaced. The Water Leveler will sit on your pool deck and hang over the pool. Your garden hose will thread into the hose adapter on the part of the Water Leveler that sits on your pool deck. A float is installed on the part of the Water Leveler that hangs over the wall and into the pool. You will have to adjust the float to turn "off" the Water Leveler when the fill water reaches the desired water level (half way up the skimmer). The float on the Water Leveler is very easy to adjust. This accessory is very worthwhile.